Download e-book for iPad: 30 Great Myths about the Romantics by Duncan Wu

By Duncan Wu

ISBN-10: 1118843266

ISBN-13: 9781118843260

Brimming with the interesting eccentricities of a fancy andconfusing move whose impacts proceed to resonate deeply,30 nice Myths concerning the Romantics provides nice readability towhat we all know or imagine we all know approximately one ofthe most crucial classes in literary heritage. * Explores a number of the misconceptions usually linked withRomanticism, delivering provocative insights that right and clarifyseveral of the commonly-held myths concerning the key figures of thisera * Corrects the various biases and ideology in regards to the Romanticsthat have crept into the 21st-century zeitgeist for examplethat they have been a number of drug-addled atheists who believed in freelove; that Blake used to be a madman; and that Wordsworth slept with hissister * Celebrates a number of of the mythic items, characters, and ideasthat have handed down from the Romantics into modern tradition from Blake s Jerusalem and Keats sOde on a Grecian Urn to the literary style of thevampire * Engagingly written to supply readers with a enjoyable but scholarlyintroduction to Romanticism and key writers of the interval, applyingthe newest scholarship to the sequence of myths thatcontinue to form our appreciation in their paintings

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41–311 ) Some scholars suggest the emergence of a ‘simpler, more strident, democratic republicanism’12 under Thomas Paine, and the evolution of 10 Myth 2 a rationalistic, anarchistic philosophy under Godwin, signalled the end of the Enlightenment. Perhaps – but such judgements are the privilege of hindsight. For a contemporary to have thought Paine or Godwin signalled anything it was necessary first to understand the larger implications of their labours, and that was unclear from the vantage-point of 1793 (when Godwin published Political Justice).

He is reticent about assigning a terminus a quo to ‘the stirring and exalting spirit of the same eventful 4 Myth 1 age’, despite having been one of its witnesses. And that was wise, for attempts at precise dating are probably doomed. Understandably, the trend among recent scholars has been to back away from 1798 (and Lyrical Ballads) and suggest, instead, 1789 (for example). Again, the argument is circular: by this means, Romanticism is defined in relation to events in France. Which is fine so long as that is deemed adequate to encompass the literature classed as Romantic.

E. Luebering (New York: Britannica Educational Publishing, 2011), p. 155. 4 David Simpson, ‘The French Revolution’, in The Cambridge History of Literary Criticism, vol. v, Romanticism, ed. George Alexander Kennedy and Marshall Brown (Cambridge: Cambridge University Press, 2000), pp. 49–70, 52. 5 ‘My First Acquaintance with Poets’, in The Selected Writings of William Hazlitt, ed. , London: Pickering & Chatto, 1998), ix. 95. 6 The suggestion is Tom Paulin’s; see, inter alia, his ‘Diary’ article, London Review of Books 17 (24 August 1995), 24–5.

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30 Great Myths about the Romantics by Duncan Wu

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